Tuesday, May 3, 2016

Charlotte Salomon: Life? or Theater?

Exhibition banner outside Musee Massena


I recently got back from a vacation, part of which was in Nice, France. One of my "must-do" items for the town was seeing the Musee Massena, a historic villa which is now a museum of Nice history, centering on the belle epoque. Artifacts include a crown of Empress Josephine. It's all very decadent.


The portrait gallery.


The museum also hosts rotating exhibits on the top floor. When my sister and I visited, the exhibit happened to be on Charlotte Salomon, an artist I'd never heard of before. Born in Berlin in 1917, the young painter was sent in 1938 by her father and stepmother to live with grandparents in the South of France, where they hoped she would be safe from the Nazis. While there, Salomon struggled with depression and its legacy in her family: her mother, grandmother, and other relatives had committed suicide. To survive, she decided to throw herself into an epic project: Leben? oder Theater?: Ein Singspiel (Life? or Theater?: A Song-Play), a collection of hundreds of paintings that form a narrative about depression, her family, art, her first love, and the specter of the Third Reich.

Suddenly, the riches in the rooms below lost their luster.


On display at Musee Massena

Salomon gave Leber? oder Theater? to a friend for safekeeping before being deported with her husband, Alexander Nagler, to Auschwitz, where she was killed. She was 26 years old and five months pregnant.

Her story is a gut-punch, especially when paired with her work. In her gouache paintings, one feels her joy for and dedication to art, her thrill of young love, her fear and resilience in the face of terrible odds.


My favorite from the show - Salomon practices her art

Salomon uses an alter ego, "Charlotte Kann," to tell her life story. The pieces displayed at the Musee Massena chronicle her early childhood; her grandmother's depression and suicide; her opera singer stepmother (Paula Salomon-Lindberg, called Paulinka in Leben? oder Theater?); her love affair with and artistic mentoring by her stepmother's vocal coach, Alfred Wolfsohn (called Amadeus Daberlohn); and her exile to France.

The show is full of striking images: a soul ascending to heaven and then descending to Earth for a visit, an open window after a suicide, Salomon diligently painting while surrounded by the bright objects of her study, lovers parting on a darkened street, and Nazis on parade - a vision sickeningly familiar to us by way of history books, but contemporary to her. Salomon's art has boldness and urgency.

What also struck me about the work was its format. With its mishmash of standalone paintings, pages with panels, and text, Leben? oder Theater? could certainly be called a graphic memoir, decades before Alison Bechdel's Fun Home, Marjane Satrapi's Persepolis, or even Harvey Pekar's American Splendor.


One of the pages on display at Musee Massena

Part of travel is the unpredictability of what you'll learn, and I'm grateful to have learned about Salomon.

Charlotte Salomon: Vie? ou Theatre? is at the Musee Massena until May 24, and Leben? oder Theater?'s permanent home is the Jewish Historical Museum in Amsterdam, which has made the entire work available online.


Three pages at Musee Massena


Image info:
Exterior of Musee Massena: my photo
Interior of Musee Massena: my photo
Painting of Nazis: my photo of the Massena exhibit
Painting of Salomon painting: WikiMedia Commons
Painting with panels: Jewish Historical Museum, image 4235
Series of three paintings: my photo of the Massena exhibit

Thursday, March 31, 2016

Mark Zuckerberg Force Feeds Someone a Jolly Rancher: Batman v Superman

No caption needed.

Do we need more writing about Batman v Superman, the artistic/critical/fan disaster and financial success? No, but I'll type out my thoughts as a way of coping.

I just got back from a family vacation, during which I watched Batman v Superman with my mom and sister. My sister and I are longtime Batman fans. We knew the movie would likely be bad, but we were still going to see it for the reasons described in this Onion article. My mom does not care about Batman, but does care about Jeremy Irons, this version's Alfred. My mom later told us she was confused during the entire movie and thought my sister and I would know what was going on. She was wrong.

Let me start off with the two moments of the film during which the audience actually indicated enjoyment. These were:

  • Wonder Woman enters the battle
  • Batman says "oh, shit" at a funny moment

During the interminable movie, the people wanted Wonder Woman and some fun. Who can blame them? 

I will also add that the "murder pearl" scene (when Bruce Wayne's parents are murdered, his mom's necklace breaks, sending pearls bouncing dramatically in slo-mo) was very beautiful. The murder pearls always border on ridiculous, since they happen in every single telling, but I would honestly lose my shit if the Waynes were murdered with Martha wearing a diamond choker.

Plink, plink, plink! Now you're a furry vigilante!

Random Observations:

-One of the weirdest parts of the movie (saying a lot) is Zack Snyder's version of Lex Luthor. He has Jesse Eisenberg, the mumblecore version of Michael Cera, playing his Mark Zuckerberg role again. Ok, young Lex Luthor with a Silicon Valley vibe. J.J. Abrams made millennial Vader and Tarkin work so why can't...oh, right. Because J.J. Abrams is J.J. Abrams and Zack Snyder is Zack Snyder. Lutherberg gets increasingly off the rails as the film continues. What is his motivation in manipulating a fight to the death between Batman and Superman and making a monster out of Zod's corpse? WE HAVE NO IDEA.

-HOWEVER, I will admit I was kind of intrigued by the chemistry between Lutherberg and Holly Hunter's no-nonsense Kentucky senator. I can picture an off-putting but compelling erotic thriller featuring the juvenile, awkward enfant terrible and the older tough cookie Southerner who feels out of place in DC. Not directed by Snyder, though. 

-Going back to Lutherberg's motivations, would it be giving Snyder too much credit to think this might be explained in the upcoming Suicide Squad? Lex's obsession with making Batman kill someone, knowledge of Batman's true identity, and penchant for sending taunting messages in scrawled red letters are all Joker trademarks. Could Joker have been controlling him all along? 

-Did Snyder seriously kill Mercy? We're about to get the first live-action Harley and she can't have a kick-ass fight with Mercy as nature fucking intended? Crossing my fingers that she inexplicably survived. 

Ladies, we all know who the real enemy is.

-All of the Rogues Gallery apparently moved out of Gotham, leaving Batman to battle quotidian human traffickers and pedophiles. He also mutilates them, which I thought was going to be revealed to be the work of a Batman impersonator, but wasn't, I guess.

-Alan Moore's overrated (imho) but iconic The Killing Joke, as well as many other Batman stories, explore Batman's refusal to kill Joker or even passively let him die when he throws himself off buildings or gets sentenced to death for poisoned stamp murder. This would break Batman's "one rule," which is never to kill anyone, no matter what horrific atrocities they have committed. After seeing the carnage left by criminals and cops alike, Batman refuses to take a life. Anyways, in this movie, Batman pretty much immediately decides and then relentlessly attempts to kill Superman. 

-Quick! You're dying! Your final words are to tell the guy killing you to save your mom! How do you phrase this? Do you say, "Save my mom"? Do you say, "Save [your mother's full name]"? Or do you just say, "Save [your mother's first name only]" and hope your murderer can figure out which Joan or Trisha or Leslie you meant? What if a plot point rests entirely on that third option? 

-The director's cut of this film is three hours long. I cannot fathom what could possibly be in those additional thirty minutes, nor do I wish to endure them. 

-Ben Affleck has written his own Batman film for him to direct and star in. You know what? Fine. 

-David Ayer's Suicide Squad is out this August. We're counting on you, Fresh Prince of Bel Air, Annalise Keating, DC Prom King & Queen, et al. 


Lex was just an Amy lackey.



Image info:
Horrified Joker, Penguin, and Riddler: the classic 1966 film
Bouncy murder pearls: from the Gotham TV series, this time
Harley v Mercy: Batman: the Animated Series 
Rosamund Pike contemplating murder: Gone Girl

Tuesday, February 23, 2016

Dream Cast - Wuthering Heights

I wish we were together, enjoying nature and pwning noobs.


I don't ask for much. Just for a Wuthering Heights miniseries exactly to my liking. I say miniseries because Emily Brontë's 1847 novel is really too much story, with too many characters aging from childhood to adulthood, to fit into a movie. Try to pack it in 90-120 minutes, and you end up with weird compressions of time that result in adult Heathcliff and Cathy crawling around in bushes to spy on neighbors. And/or with the movie simply ending with Cathy's death.

After being displeased with various adaptations, I've brainstormed my ideal cast to act in my ideal miniseries format. These are only the adult versions of the characters, however. I'll leave some dream child actor casting agent to cast that part of my dream cast. I can delegate in my dreams.


Heathcliff - Oscar Isaac 

Heathcliff and race has always been a thorny issue. In Brontë's novel, although he later has a blond son, Heathcliff himself doesn't seem to be white: characters throw around Indian, Indian-Chinese, Spanish, and from the Americas in general as suggestions for his background (he doesn't speak English when found as a small child, so no one knows). In practice, Heathcliff mostly gets cast as a brunet white guy. (As a notable exception, Andrea Arnold's 2011 movie version has a black Heathcliff.) It would be great to see an Asian or Latino actor finally get this iconic role. Far from being the complained of "forced diversity," it would seem to be what the author intended.

I'd cast dynamic hearthrob Oscar Isaac, of Guatemalan and Cuban parents, as Heathcliff. He has an impressive resume, and this role would let him dig into a tortured psyche. Really tortured. Heathcliff isn't simply a "bad boy" romantic hero type - he's cruel, dangerous, and vengeful. Incapable of a healthy relationship, he instead has an obsessive codependency with Cathy that continues even after her death. We're talking spending quality time with her long-dead corpse levels of obsession. As far as he's concerned, he and Cathy are the only people on Earth; everyone else is disposable (except maybe Hareton later on).

I trust in Oscar Isaac to tackle the acting challenge of catching a falling baby and then looking furious and disappointed because it's his mortal enemy's baby and it would have been great revenge to let it go splat.

I would also consider: Dev Patel. Dude's grown up nicely.


Catherine Earnshaw/Linton - Emily Blunt

A dark-haired beauty who wants to be a wild nature girl forever? I think the range of Emily Blunt, who can play prim fashionistas and rugged FBI agents with equal aplomb, is perfect for the role, which requires haughty poise punctuated with fits of violence. Cathy manages to mostly pass as a fine lady of the English countryside for a few years, but not without bouts of depression. She doesn't want to be a model wife and mother - she wants to gallop around on horseback with soul mate Heathcliff and pinch and kick the hell out of people when she's angry.

I would also consider: Brie Larson.


Nelly Dean - Shirley Henderson

Our narrator by proxy, maid Nelly has witnessed and survived all of the dramas of the Earnshaw/Linton/Heathcliff families. Although a servant, she's raised alongside Hindley, Cathy, and Heathcliff. She is Hareton's nursemaid for the first years of his life, Cathy's confidante for life, and the second Catherine's caretaker. Humble but resilient, practical but caring, I could see Henderson (best known as Moaning Myrtle) in this role.


Hindley Earnshaw - Burn Gorman

Cathy's obnoxious older brother becomes cruel when his father favors adopted brother Heathcliff over him. Later he becomes a drunken gambler when his wife dies in childbirth, and his dire financial straits allows Heathcliff to buy Wuthering Heights out from under him. Burn Gorman, half of the German-scientists-without-German-accents duo in Pacific Rim, was fine in the 2009 PBS version, so Burn Gorman it is.


Edgar Linton - Tom Hiddleston

The Linton family owns Thrushcross Grange, the sunny alternative to windswept Wuthering Heights. The family's eldest son - fey, blond, and emotional Edgar - starts out with a lot of the same faults Hindley has. He's whiny and elitist, and Heathcliff is disgusted when Cathy marries him. But unlike Hindley, Edgar rises to the challenge of sudden single parenthood and becomes a loving father. Tom Hiddleston would be perfect to play this proper English gentleman who is prone to tears and learns forgiveness.

I would also consider: Tom Felton. A prejudiced aristocrat who cries? He's got this. Plus, he'd get a reunion with his Hogwarts bathroom buddy.


Isabella Linton - Amanda Seyfried

When Heathcliff returns to town to find foster sister/soul mate Cathy married to Edgar, he begins courting Edgar's naive sister, Isabella. Isabella quickly falls for the handsome and now mysteriously rich Heathcliff, and they elope. Unfortunately, she soon learns she's just a pawn in his revenge scheme. Heathcliff physically and emotionally abuses her, and she runs to the south of England while pregnant.


Catherine II - Mia Wasikowska

This second Catherine is the daughter of Edgar and Cathy. Since Cathy dies shortly after giving birth, Catherine is raised by her doting father and Nelly. While less wild than her mother, Catherine still has a thirst for adventure beyond her family's estate. Unfortunately, her curiosity gets her kidnapped by Heathcliff, who forces her into marriage with her cousin, Linton. Despite Heathcliff's cruelty, Catherine never stops standing up to him. She does, however, understandably start to become mean herself in her miserable surroundings, but is guided back to kindness by Nelly's influence and her growing affection for Hareton.

Wasikowska has already starred as a Brontë heroine (as the eponymous character in Charlotte Brontë's Jane Eyre) and has undertaken other adventurey period roles (Alice in Wonderland, Crimson Peak). She has the right mix of girlishness and grit for this part.


Linton Heathcliff - Tony Revolori

Oh boy, these names get harder and harder to keep track of. Linton Heathcliff is the son of Heathcliff No Last Name and Isabella Linton. He is a sickly, indulged child raised by his mother near London. When she dies, his uncle Edgar tries to take custody of him, but he is thwarted by Heathcliff, meaning it's off to bleak Wuthering Heights with poor Linton. Heathcliff later forces the dying Linton to marry his cousin Catherine, so that Heathcliff can get ownership of Thrushcross Grange when Linton kicks the bucket. Tony Revolori (known for The Grand Budapest Hotel) isn't blond, but whatever.


Hareton Earnshaw - Adam Driver

Heathcliff's biggest act of revenge is taking custody of Hindley's son Hareton and raising him as a profanity-spewing illiterate farmhand, mirroring how Hindley demoted him from heir to servant when their father died. But alas, just as Mr. Earnshaw favored adopted son Heathcliff, Heathcliff favors adopted son Hareton. In fact, Heathcliff's decades-long campaign of revenge halts not due to the deaths of 1) his hated foster brother's wife, 2) the love of his life, 3) his hated foster brother, 4) his own wife, 5) his romantic rival, or 6) his own son, but because Hareton gets kinda sad.

Which is understandable! Hareton's a cutie and no one wants him to be sad! He's a rough-and-tumble guy who can throw down, but he's insecure about his lack of education and is eager to please. Despite his crassness and violence, he's unable to repress his natural kindness (he even tries to befriend annoying Linton). He and Catherine end up bringing out the best in each other: she teaches him how to read, he teaches her how to garden, etc. In the end, dead Heathcliff and Cathy get to haunt Wuthering Heights like they always wanted, and their kids get to live a less creepy life together at Thrushcross Grange.

How could it be made plausible that Poe Dameron is Kylo Ren's adopted father? I dunno. Gray highlights or something? I'm not a make-up wizard. If Dev Patel is Heathcliff, he can get "acting like an old person" tips from all his The Best Exotic Marigold Hotel co-stars.

I would also consider: Aaron Paul. As with Driver, we already know Paul can play a confused and violent young man in the thrall of an abusive father figure.

Who is the best hot farmboy Hareton?

Bonus pic of Hareton, Heathcliff, and one of their many attack dogs about to toss Lockwood (who is too boring to cast) out of Wuthering Heights like the rowdy brutes they are:


Image info:
Header image: Oscar Isaac in Ex Machina, Emily Blunt in Sicario
All headshots from IMDB
Aaron Paul with sheep: Peter Yang for Rolling Stone
Adam Driver with sheep: Annie Leibovitz for Vogue
Adam Driver and Oscar Isaac with Carrie Fisher's dog: Getty Images