Showing posts with label afterlife with archie. Show all posts
Showing posts with label afterlife with archie. Show all posts

Monday, October 6, 2014

Black Cats for October



A few years ago I did a post on black cats for Friday the 13th, which looked at kitties from art and literature. With their traditional connection to bad luck and the fact that they're not as "flashy" as other kittens, it's always a little more nerve-racking than usual giving a black foster kitten back to the shelter for adoption. Since it's the month of black cats appearing in decorations (often with witches), here are some more stellar examples of that much maligned, Halloweeny animal.


Bear

Won't someone give him a cuddle and listen to his poems?

18-year-old Bear is the subject of owner Tom Cox's many books about being a crazy cat man, but he's become so widely known because of cat's best friend: the internet. Photos of the melancholic Bear and the reasons for his sorrow are paired on his hit Why My Cat Is Sad twitter account, which currently has 172k followers. His persistently heartbroken little face just demands you pick him up for a hug and kiss. Fortunately, despite having a rough history, Bear is adored by his family. And understandably, Cox is a black cat advocate.



Isis

Not THAT Isis.

Batman sometimes-villain, sometimes-hero Catwoman is the undisputed queen of the felines. Fans of the classic, stylish Batman: the Animated Series might remember Isis, a sleek black cat who matched Catwoman's sleek black cat costume. Selina Kyle has been portrayed as having different "main" cats over the years (Hecate, for example, in the 1966 Batman movie, aka the best movie of all time), but Isis from the various animated shows is the definitive one for me.


Forget the diamonds, Isis has canned food!


Shorty

Shorty is appalled or stoned.

Half of popular YouTube cat duo Sho Ko, fluffy, cuddly, energetic kitty Shorty is also an advocate for black cats everywhere. (Except when sidelined by her addiction to catnip bananas.)



Cole

Good, 'cause I always need hair ties.

Like Shorty, Cole is the older half of a YouTube kitty pair (Cole & Marmalade). And like Shorty's owner, Cole's owner has a soft spot for black cats. Good news for this formerly tiny rescue!




Salem

...

Like Isis, here's another black cat the intersection of comics and television - and a witch's black cat at that. Salem, the cat of Archie Comics' teenage witch Sabrina, was once a sorcerer who tried to take over the world. His punishment? Being turned into a cat. And then sharing a bed with a teenage girl. Salem reached top popularity on the 90s sitcom, Sabrina, the Teenage Witch, where he was voiced by Nick Bakay and portrayed by both real cats and a terrifying robot cat. Since then he's starred in Sabrina, the Animated Series, made an appearance in gritty smash hit Afterlife with Archie, and has even gotten his own origin comic about his adventures before living the Humbert Humbert dream.



Image Sources:
Vintage cat: The Graphics Fairy
Bear: Bear's twitter
Isis: DC Animated Universe wiki
Isis again: DC Animated Universe wiki
Shorty: Shorty and Kodi's Facebook
Cole: Cole and Marmalade's Facebook
Salem: from Afterlife With Archie #1, illustrated by Francesco Francavilla

Wednesday, November 20, 2013

Young Avengers #12 and Afterlife With Archie #2: Kids in Costumes Have it Hard

Archie isn't so wholesome in this Tim Seeley variant.

It's was a busy Wednesday for young people in peril! Both Kieron Gillen and Jamie McKelvie's Young Avengers #12 and Roberto Aguirre-Sacasa and Francesco Francavilla's Afterlife With Archie #2 came out today. AWA 2 had actually sold out on the shelves by the time I got to the comics shop at 1:30, but a kind clerk found me a variant behind the register. Hero.

Let's start with YA 12...

...cause Leah wants to finish this hand.
What happened:

With the adults still under Mother's control, the Young Avengers have no choice but to go forward with David's plan of attacking the parasite and her army using every teenesque Marvel character he could scrounge up. The league of evil exes know of this plan, and are pretty sure it ain't no thing, but also aren't going into battle unprepared. Leah and Fake Patriot examine tarot cards while maintaining excellent posture, and Oubliette gets a killer poison manicure.

Our team, on the other hand, is not totally, completely confident in this endeavor. Noh-Varr and Kate fret (Noh-Varr while glancing at selfies of Oubliette), Loki does some literal-and-otherwise handholding with Billy, and David is coolly pragmatic and not optimistic.

"Only together can we survive this chick's shitty iPhone photos."

Once again we're reminded that Loki and America both know something about Billy that neither he nor we know. We also go back to the storytelling themes Gillen explored in Journey Into Mystery. "He can't die," says Loki. "This story has a happier ending than that." "His story," America reminds him.

Girl, you're in a Gillen book.

And then...the battle begins! The army of Marvel bit characters fights the other dimensional army, hoping that maybe, just maybe, they'll get picked up for a future Young Avengers story. Meanwhile, our heroes take on Mother and the exes, giving McKelvie another excuse to have a ball with form and composition.

And then! Gillen starts unveiling one of his twists. While squaring off against Loki, Leah brings up his early conversation with Teddy about the power of reality warpers and wishful thinking...and then she seems to merge with Sorta-Kid-Loki. It's probably useless trying to guess, as I'm always wrong, but to ruminate...perhaps Kid Loki is finally getting his revenge?  He did change. He did win. Somehow? Because Loki's guilty conscience wished it so? In this interview with Al Ewing who will be writing the forthcoming Loki: Agent of Asgard series, he says Loki's greatest fear is "sliding back into his old persona, getting trapped again in an endless cycle of fighting superheroes and getting beaten by them - especially after everything he did to escape that cycle." That certainly sounds like Kid Loki, who in the JIM finale begged Thor to kill him if he ever turned evil. Maybe Kid Loki or Sorta-Kid-Loki is finally getting his (sexier) body back, or at least will be more equitably sharing it with Loki-Loki? I'll stop now since this is turning into the end of that Louis CK skit on "Why?"

Was the kidnapped Tommy rescued or mentioned?

No.

What's next:

Tragically, we only have three more issues of Gillen and McKelvie's Young Avengers, which Gillen writes about a little here. As aforementioned, extreme prodigal son Loki will be returning to Asgard as a secret agent for his mom(s) in Loki: Agent of Asgard, which comes out in February 2014. Will he finally get that cool car? At first I was a little nervous to see a writer other than Gillen take the reins on Loki, but hey, that's mainstream comics, and the interviews with Ewing have been encouraging. I hope Loki stays in touch with America, Kate, et al.; the chemistry in this little group was great. We'll always have noodles and revolutionary moon kisses, right? :'( 



This looks good 'cause it's from Francavilla's twitter.

That panel's so damn pretty I couldn't bear to use my crappy iPhone pic. All right, so, moving on to a different set of endangered kids. With the Archie Comics world pretty stagnant since the 1940s, minus the recent and welcome addition of gay teen Kevin Keller, the announcement that there would be a serious horror Archie book was a surprise. Afterlife With Archie #1 was a smash hit, and Aguirre-Sacasa and Francavilla impressed critics and Archie fans alike with their ability to stay true to the Archie mythology while ruthlessly twisting its conventions.

We already saw scenes of horror (a mouthless Sabrina exiled by her aunts) and violence-with-consequences (a jealous Moose beat up Reggie as he's done for decades, but this time it led to a dazed Reggie running over and killing Hot Dog) in the first issue. In AWA 2, the creative team shows us just how much leeway they've been given by opening the issue with a scene of emotional incest between rich twins Cheryl and Jason Blossom.

In "dead Raggedy Ann and Andy" costumes, no less.

It's a little eye-rolling and tawdry as a way to shock, but whatever, we get it, you're going HBO. The twins wisely decide not to crash Riverdale High's Halloween party after learning that mass cannibalism is taking place inside.

We see some more mature maturity in the interlude, a moody scene set at Pop Tate's. Ginger and Nancy are having a quiet, joyless dinner away from the party. They've been secretly dating (sorry, Chuck), and the closeted nature of their relationship is wearing on Ginger. Nancy isn't ready to come out. It's a pretty typical plot for a gay teen romance, but it gets interesting when they bring up out-and-happy Kevin. "Look in the mirror, Ginger. We're nothing like him," says Nancy. What does she mean? Is she (and the writer) acknowledging that as women of color, their experience of coming out might be different than Kevin's? But their discussion is interrupted the arrival of Jughead's father...who has been zombiefied!

Back at the dance, zombie Jughead has started his rampage, and his first partygoer victim is awkward one-sided love interest Ethel, heartbreakingly naive and sweet in her Snow White costume. When Jughead attacks her, the kids think it's a prank at first, and catch on to what's actually happening at various times, leading to a supremely satisfying moment when Veronica, who has been in all her bitchy, scheming glory, steps up and saves eternal rival/BFF Betty by taking a fire extinguisher to zombie Ethel's head.

Girl went all America Chavez on us.

 A core group of Archie characters - Archie, Betty, Veronica, Reggie, Moose, Midge, Chuck, Dilton, and Kevin - flee the school and make it to Veronica's mansion. ("Mr. Lodge, I've been trying to sneak into your daughter's room for as long as I can remember, and I know what a fortress this place is," says Archie reassuringly.)

But of course, they're not safe yet...



Alas, we don't get the next issue until 1/1/14, presumably because Francavilla fills in all the shadows by hand with half-dead ballpoint pens.

The gang in simpler times, when they were an extremely unprofessional band, what with half the members wandering away and the drummer not showing up until partway through the song:


Wednesday, October 9, 2013

Young Avengers #10 & Afterlife with Archie #1: I Care About Nothing Post-Breaking Bad Edition

"I wanted to leave the runes on the counter...you mewling quim."


I missed doing a recap for Young Avengers #10, which isn't really a problem since I'm just me rambling to myself. It came out on September 25, right in peak Breaking Bad freakout time, and the plights of the fictional denizens of non-fictional Albuquerque occupied all my fictional character headspace. Sorry, Kieron Gillen. Unless Loki and Doctor Doom teamed up to make and sell magical meth (which would be perfect), it just wasn't happening for me.

Anyways, I decided to finally get this up and to group it with Afterlife with Archie #1, out today. This is also related to Breaking Bad, because everything is. The issue is illustrated by Francesco Francavilla, whose  pulpy, noirish work I first saw in Hawkeye. Francavilla is also a Breaking Bad superfan, and he has made minimalist posters for each episode (totally scored one of his limited edition prints of the first episode, bitch). So when I saw he was the artist for a new horror version of the Archie comics I read as a kid, I had to check it out.


Don't do meth, kids.


What happened:

Meta stuff. Loki's been working with Mother, in typical Loki fashion (i.e. in devious ways that serve him and only him well at the moment but add to his ever-growing list of enemies). There's a mention of him "escaping," and we don't know what that means yet. Sorta-Kid-Loki makes a sorta appearance. We also get to see all of Loki's moms, as portrayed by Mother: Jotun queen Farbauti, plus jointly-ruling Asgardian goddesses Freya, Gaea, and Idunn. Props to proudly feminist Gillen and McKelvie for deciding to make the almost-never seen Farbauti a beefcake warrior with icicle hair. Anyhoo, Loki's been messing with Billy's head because of complicated reasons that we'll just have to ride out Gillen explaining in his own special way. And Fake Patriot and Leah are both working with Mother.


Badass.

Meanwhile, Teddy and Leah go to the superhero-exes support group, which consists of Leah, America's ex, Noh-Varr's exes, and, uh, Fake Patriot. Noh-Varr, as everyone already knew, is a Don Juan of space and time. And America's ex, Ultimate Nullifier...oh, honey, why? I just kinda assumed America was into the ladies. Maybe she has realized this too since dating this dude. I do feel he was a little shortchanged, though, since his dialogue is basically clumsily inserted Hipster Ariel. At least Gillen and McKelvie nixed the planned-upon fedora. All we learn about Fake Patriot is that he or she is creepy. Teddy is understandably freaked out by the group and tries to leave, probably to watch Breaking Bad. But he can't, because the group is the kind of malevolent entity that would try to stop you from watching Breaking Bad.


Leah's got a clipboard and Beth Ditto makeup. Watch out.


What's next:

Young Avengers #11 should be out later this month, but I haven't been able to find a release date. Judging from the cover, Loki's in trubs. Or at least naked, since his clothes are burning. And maybe Thor is involved? I can only assume Thor looks so mad in that leaked variant cover because he found out Loki is cooking magical meth with Doctor Doom, probably in an old Skrull spaceship in the wilds of Latveria.



Really, don't do meth, kids.

To be honest, I actually thought this was a comic I'd just buy the first of, mostly to take a gander at Francavilla's art. But I'm hooked! Roberto Aguirre-Sacasa has written an engaging, unsettling comic. The book tackles the most obvious question - zombies in Riverdale? - with aplomb. Jughead's beloved dog Hot Dog is killed, and instead of writing poetry about it like Mary Oliver, he turns to Sabrina, Riverdale's resident teen witch. Against her aunts' orders, she helps Jughead revive his pet...which doesn't go well.


Dogs, don't do meth either.

What I like most about this book (so far) is how true it stays to the Archie canon, and yet how different it is from the Archie canon. Archie Comics have been around since the 1940s, and they've stayed pretty static all those years. No one is ever going to graduate. No one is ever going to change. And Aguirre-Sacasa keeps to those Archie constants (the Betty-Veronica-Archie triangle, the Moose-Reggie-Midge triangle, Jughead loves food, etc) while, with the help of Francavilla's art, casting a dark shadow over them. With inky chiaroscuro and jarring POVs, Francavilla weaves a sense of unease throughout. It's still Riverdale, but it's creepy, creepy, creepy.


So creepy that build-ups to swinging are immediately forgotten.

Big kudos to Francavilla and Aguirre-Sacasa. This could have easily turned into this (which is hilarious, and also features Jughead carrying a bloodied Hot Dog), but it looks like they've got it under control.